我們訪問了 10 位位列頂端的創意之師,看他們對現今設計業的想法、以及對新加入的年青人有何提點。除此之外,10 位嘉賓同時揀選出 10 位他們覺得值得受到大眾注目的卓越創作單位。一次靈感的盛宴,誠邀所有藝術和設計界的人士出席。


精彩內容:

Motion: IdN 100th — IdN 的朋友們,派對即將開始﹗
Creative Country: China — 與文化遺產並存
Exhibitionism: PICK Me Up — 英國的第一次、絕非僅有的一次
Studio: Toykyo — 受日本啟發的比利是製作
Pick of the Month

明細:

102 pages
6 varying paper stocks
4C process, spot UV
91 minutes DVD Video included


MOTION: IdN 100th

IdN 的朋友們,派對即將開始﹗

就如那些世界盃的足球員所示範,種種入球慶祝方法簡直多不勝數。為見證第 100 期的誕生,我們邀請一班國際級設計室和藝術家,以「慶祝第 100 期﹗」為題,各為我們打造與別不同的一分鐘短片。結果成為一系列總共 30 條度身訂造的趣味盎然片子,由一眾創作力無窮的朋友精心製作,包括 Addictive TV、Dvein、Kultnation、PostPanic、Kousuke Sugimoto、UVPHactory。通過這些菁英利用他們的精巧大腦,展現出獨有的創作風格實屬機會難逢。準備好了未﹖

IdN v17n4: 百期一遇 – 百期誌慶:俯視設計百態

IdN v17n4: 100th Issue

IdN v17n4: 百期一遇 – 百期誌慶:俯視設計百態

IdN v17n4: 100th Issue


10 DESIGNERS / 10 CURATORS

百期誌慶:俯視設計百態

我們訪問了 10 位位列頂端的創意之師,看他們對現今設計業的想法、以及對新加入的年青人有何提點。除此之外,10 位嘉賓同時揀選出 10 位他們覺得值得受到大眾注目的卓越創作單位。一次靈感的盛宴,誠邀所有藝術和設計界的人士出席。

設計單位:

Antoine+Manuel | Big Active | eBoy | Maurice Broomfield | Jason Brooks | Paul Budnitz | Stanley Donwood | David Dowton | Non-Format | Genevieve Gauckler | Marcus Hofko aka The Rainbowmondey | John Jay | Jeremyville | kennardphillipps | Elisabeth Kopf | Simon Oosterdijk | Tom Sachs | Stefan Segmeister | Peter Stemmer aka Peekasso | Viktor Timofeev

IdN v17n4: 百期一遇 – 百期誌慶:俯視設計百態

IdN v17n4: 100th Issue

IdN v17n4: 百期一遇 – 百期誌慶:俯視設計百態

IdN v17n4: 100th Issue

IdN v17n4: 百期一遇 – 百期誌慶:俯視設計百態

IdN v17n4: 100th Issue

IdN v17n4: 百期一遇 – 百期誌慶:俯視設計百態

IdN v17n4: 100th Issue

IdN v17n4: 百期一遇 – 百期誌慶:俯視設計百態

IdN v17n4: 100th Issue

IdN v17n4: 百期一遇 – 百期誌慶:俯視設計百態

IdN v17n4: 100th Issue

IdN v17n4: 百期一遇 – 百期誌慶:俯視設計百態

IdN v17n4: 100th Issue


Creative Country: 中國

與文化遺產並存

背負著五千年的文化背景,以及半個世紀的社會審查,現今中國在國際設計界到底處於甚麼位置﹖我們與好幾位在國內現代創作界別最優秀的新勢力,探討一下過往的傳承如何影響他們 – 還有他們對未來的展望。

設計單位:

Chen Man | Jennifer Wen Ma | Liu Zheng | Maleonn | Qiu Yang | Resonance Design Group | Sense Team | Super Nature | Xia Yu | Mei Shuzhi

IdN v17n4: 百期一遇 – 百期誌慶:俯視設計百態

IdN v17n4: 100th Issue

IdN v17n4: 百期一遇 – 百期誌慶:俯視設計百態

IdN v17n4: 100th Issue

IdN v17n4: 百期一遇 – 百期誌慶:俯視設計百態

IdN v17n4: 100th Issue


Exhibitionism: PICK Me Up

英國的第一次、絕非僅有的一次

倫敦舉行了首次的現代圖象 - 藝術遊樂會,名為 Pick Me Up. 多於 20 位正受注目的國際級設計師和插畫師參展 - 所有作品均即場發售。其餘吸引之處包括一探紙藝設計師 Rob Ryan 的移植設計室及絲印工作坊。

IdN v17n4: 百期一遇 – 百期誌慶:俯視設計百態

IdN v17n4: 100th Issue


Studio: Toykyo

受日本啟發的比利是製作

並非拼錯名稱,Toykyo 是一所比利是的創作公司,專門於玩具創作以及深繫任何和日本有關的事物。同時亦代表著許多著名的現代平面設計及插畫。

IdN v17n4: 百期一遇 – 百期誌慶:俯視設計百態

IdN v17n4: 100th Issue

IdN v17n4: 百期一遇 – 百期誌慶:俯視設計百態

IdN v17n4: 100th Issue

Bardo – Bren Imboden, Luis Viale – 澳大利亞 墨爾本

Bardo – Bren Imboden, Luis Viale – 澳大利亞 墨爾本

「我們認為,包裝設計應蘊含一個好的想法,除此之外別無所求。針對消費者的資訊傳達必須清晰、簡潔、實在。」

Ting-An Ho – 台北 台灣

Ting-An Ho – 台北 台灣

「好的設計就是造福人群。影響力或大或小,那是其次。對此想法我始終沒變過。因此我認為遠走他方,到紐約、巴黎、東京等大都市闖蕩,獲獎無數而從此不返的設計師,永遠不會是我的稱羨對象。建基於這點,我做得其實還不夠,甚至離我想像的成果仍有段非常遙遠的路要走。」

Shannnam – 香港

Shannnam – 香港

The collection is described as "a glimmer, a touch, a place, a continuity, a dream, captured within suspended streams of consciousness".

Tofu Design Studio – Michelle Au – 新加坡

Tofu Design Studio – Michelle Au – 新加坡

「外形、功能、情感。其中,頭兩種元素如能完美融會,傳達出一種明顯的、令人滿意的體驗,那麼其設計內容就是適宜了。」

Marios Karystios – Gino's Garden Olive Oil – 黎巴嫩

Marios Karystios – Gino's Garden Olive Oil – 黎巴嫩

Gino’s garden organic olive oil, from Lebanon recently released a limited-quantity, olive shaped bottle for its finest quality line from the grove of Gino Haddad. Two different types of uneven olive shaped bottles were drawn, using mathematical techniques to calculate the irregular shape and volume. The ceramic bottles were brought to life by the skilful hands of Stelios Laskaris, in black gloss and green matte glaze finishes. Photography by Roger Moukarzel. The making of by Marios Karystios.

As Types Grow Older – Re-issuring 'Sadness' and 'Grimoire' – 德國 科隆

As Types Grow Older – Re-issuring 'Sadness' and 'Grimoire' – 德國 科隆

Felix Braden’s very first typefaces 'Sadness' and 'Grimoire' have just been published in new and revised versions at Myfonts. After the tragic end of the established Fountain Type Foundry he had to ask himself the following question: Is there still any justification for the existence of his 20 year old fonts? 'Sadness' was based on experiments during his stay at the Trier College of Design, 'Grimoire' on the other hand combines two seemingly contradicting principles – calligraphic and constructive ideas – and makes them work together. The font is based on a modular system but simulates a handwritten typeface. Both fonts are available for €5 at Myfonts with a introductory discount of 80% until 19 MAY.

Lily Kao – 加拿大 多倫多

Lily Kao – 加拿大 多倫多

「優秀的包裝設計能體現產品的特色,講述品牌背後的故事。」

Graphic Design in Paris – Conference by Slanted + HFG Karlsruhe – 德國 卡爾斯魯厄

Graphic Design in Paris – Conference by Slanted + HFG Karlsruhe – 德國 卡爾斯魯厄

In sync with the release of Slanted #25: Paris, The University of Arts and Design Karlsruhe teams up with Slanted to host a 1-day conference about Graphic Design in Paris featuring: HELMO (Montreuil-sous-bois), Olivier Lebrun (Paris), Émilie Rigaud (Paris), Laurent Ungerer (Paris) and Frédéric Teschner Studio (Paris).

Graphic identity for Latin American Design Festival by IS Creative Studio – 利馬/馬德里

Graphic identity for Latin American Design Festival by IS Creative Studio – 利馬/馬德里

LAD is an organization created with the aim of promoting Latin American Design worldwide highlighting the social potential of design using lectures, workshops, exhibitions and complementary activities. The design/branding of the LAD Festival is inspired on the international ISO A series paper standard known by all graphic designers. It represents the different countries, different cultures, connections between them and also gives the feeling of a geometric map.

ACST Design – 台北 台灣

ACST Design – 台北 台灣

「我認為,優秀的設計不會隨著時間的流逝而褪色。我做設計師以來最有收穫的經歷就是製作了一部關於我的設計的電影短片,名為The Daily You,有些觀眾看過之後都哭了。」